Work

He created numerous busts (monuments) of notable figures, public monuments, and reliefs, and carved sculptures in Carrara marble. He also worked in graphic and industrial design, creating corporate identities, invitations, badges, plaques, envelopes, and certificates, as well as sketching and making models for tombstones. He collaborated with the furniture factory IZTOK Miren, designing furniture elements for the bedroom collection Prebujanje (Awakening).

His first solo exhibition was in 1972 at the Meblo Gallery in Nova Gorica (together with Lucijan Bratuš), and from then on, he exhibited in all prominent galleries in Slovenia and abroad, including Belgrade, Split, and beyond. He participated in numerous group exhibitions of Slovenian and Yugoslav art at home and abroad.

He was a member of the Association of Slovenian Fine Artists and the president of the Society of Northern Primorska Fine Artists. In 1984, he received the Bevk Award.

His work expressed a sense of refined, smooth, organic forms, developing through distinct phases or sculptural cycles. Initially, he focused on the motif of the shield, dedicating the majority of his works to the motif of the core, connecting with the post-war European tradition. For example, he responded to the 1976 earthquake in the Posočje region with an expressive cycle of Destructions. His most prolific cycle, however, was Living or White Stones from the 1980s, which established him as a sensitive designer of vitalist and erotic sculpture.