HIT d.d. Nova Gorica, Slovenia
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Nedeljko Pečanac (Nedeljko Pećanac)

(1938)

Nedeljko Pečanac, born in 1938 in Drvar (Bosnia and Herzegovina), is a painter and printmaker who now lives in Nova Gorica. A war orphan, he spent his early years in various parts of Slovenia, where he began school. In 1951, he returned to Drvar, attended lower secondary school, and later enrolled in a vocational school. From 1955 to 1958, he studied applied graphics at the School of Design in Sarajevo. In 1959, he was accepted at the Academy of Fine Arts in Ljubljana, where he graduated in 1963. He later studied restoration and conservation in Rome on an Italian government scholarship.

“… In his color screen prints from the late 1970s, motifs similar to his sculptures first appear, followed later by landscapes …

Work

Pečanac works in painting, printmaking, ceramics, and sculpture. His artistic focus evolved from painting in the 1960s to sculpture in the 1970s, and then to screen printing, which became his primary technique in the 1980s. Across all his artistic disciplines, one can discern the “artist’s fascination with the body, eroticism, and organic forms in general.” In his early paintings and graphics, literary elements and decorative motifs are prominent—such as the fable of the girl and the horse, filigree arabesque patterns, and numerous erotic themes presented directly through a narrative mimetic approach. In his sculpture, this motif takes on an allusive stylization, transforming into tense vegetative forms. In the late 1970s, his color silkscreens begin to feature motifs related to his sculptures, later evolving into landscapes. At this point, PeČanac focuses on the challenge of the optical presentation of phenomena, leading to the realization of a pictorial symbol. Instead of abstracted landscapes, his compositions increasingly feature “pure geometric shapes, most often variations of circles and spheres.”

For his work, he received numerous awards, reflecting his significant contributions to various artistic disciplines and his exploration of form, symbolism, and narrative expression.

Landscape
5/10 | 1977 | original serigraphy, paper