Klavdij Palčič
Klavdij Palčič
(1940 – 2021)
Palčič, a painter, printmaker, set designer, illustrator, and costume designer, was born on 30 August 1940 in Trieste. After graduating from a science high school in Trieste, he pursued art studies at the Art Institute in Venice, graduating in 1964. During the 1960s, he was a member of the Trieste group Raccordosei – Arte Viva and taught drawing and art history in Slovenian high schools in Trieste and Gorizia. In the 1970s, he founded and led a graphic studio at the Trieste Publishing House. In 1984, he received the Prešeren Fund Award for Fine Art and Set Design. His work was influenced by A. Černigoj, the elder of Trieste painters, who encouraged a contemporary, imaginative approach. From a sensitive realist with an expressionist emphasis, firmly rooted in the spirit of contemporary artistic explorations, Klavdi Palčič evolved into a creator of remarkable versatility. His creative spectrum spanned painting, graphics, drawing, set design, costume design, illustration, and book and magazine design. He approached all these disciplines with equal intensity, driven by dedication, creative inventiveness, and a blend of bold experimentation and deliberate thought. Although diverse in technique, his artistic expression consistently aligned with the medium—be it graphics, painting, or drawing—remaining cohesive across different periods, phases, or cycles. Critics divide Palčič’s creativity into two major periods: during the first decade, his relentless search for a unique voice culminated in a distinctive style, while in the second, he established himself as a master, not only in a local but also a European context. Nonetheless, Palčič’s work encompasses numerous phases and cycles, each evoking diverse stylistic origins and definitions. A consistent thread running through his oeuvre is his exceptional ability to shape organic forms, often setting aside excessive color enthusiasm in favor of precise drawing and outstanding technical skill.
“I like to say that I think with a pencil in hand. New thoughts are born while drawing strokes, a sketch emerges, then I move to the next phase, transforming the sketch into a painting, turning a line into a field, into color, seeking balance of mass …”
Work
In his work, Palčič equalized the importance of color and light with the narrative itself. This allowed him to penetrate the essence of the subject, expose its structure, and assign it an equivalent visual value. His pursuit of balance between color and other compositional elements imbues his works with a monumental atmosphere, amplified by his dual emphasis on mood and rationality. The interplay of light and shadow, along with the contrast between bright and dark surfaces, contributes to the plasticity of his paintings and evokes a dramatic tension. This approach often begins with the selection of a motif and extends to the formal, artistic solutions—how to harmonize planar depiction, figurative representation, and abstract interventions. Palčič masterfully conveys the ideology of an artwork through desired artistic effects, balancing visual impact with conceptual depth. The internal, personal impulse behind this reassessment and redistribution of meanings—often hinting at social and ideological undertones—stems from an acute awareness and clarity of vision. This perspective reflects the existential singularity and wonder of the world and humanity.
No title
1987 | 25/30 | screen painting, paper
64 x 66,5 cm | paper: 70 x 72 cm
Photo: archive of the company Hit
No title
1987 | 19/30 | screen painting, paper
20,6 x 16 cm | paper: 44,5 x 34,5 cm
Photo: archive of the company Hit